![]() ![]() ![]() Aside from deinterlacing, it provides multiple solutions to enhance video quality, for instance, upscaling HD video to 4K, stabilizing shaky footage, removing background noise, etc. ![]() So it can get rid of lines on a video while retaining the best image quality. VideoProc Converter, the best deinterlacing software, applies the most efficient deinterlacing algorithm intelligently. How to Deinterlace Video in VideoProc Converter The deinterlacing software we are using includes VideoProc Converter, VLC, HandBrake, Premiere Pro, and DaVinci Resolve. In this post, we'll reveal the top 5 effective methods of how to deinterlace a video. If you got this problem, try to deinterlace the video. When you play an interlaced video in a progressive scanning system or when the motion in the video is really quick, differences in the positions of the fields become noticeable and that's what we call jagged artifacts. But since it's inefficient in digital video compression, more computer monitors and HDTVs choose progressive scanning over interlacing. Interlaced videos are supported in NTSC standard TV, DVDs, DV, VHS, and old camcorders. When each frame is displayed, the odd lines are drawn on the screen first and then the even lines. It divides a video frame into two fields, one with the odd-numbered lines and the other with the even-numbered. Long distance remote operation via ethernet or WiFiīattery life: up to 1.5 hours continuous recording time on a single 1.Interlacing is a video scanning method created for saving bandwidth while broadcasting or streaming videos. SDI Link or internally generated timecode support on ingest with on-screen timecode display and programmable offset/start valuesĮXSync timecode module for jamsync to external clock source (HW option) Realtime upconvert/downconvert/crossconvert between more than a dozen resolution/frame rate combinationsīattery meter disk capacity warning tally for peace of mind Intuitive gestural touchscreen interface designed for field recording, most commonly used controls are also accessible via physical buttons on the front panel most overlay functions available during record On-screen reticle overlays: grids, crosshairs, safe frames, metadata, and letterboxing (opaque mask mode available) Realtime composite and per-channel waveform, vectorscope and histogram for accurate quality control available in overlay or full screen mode 250 NITS brightness standard (1000 NITS Hi-Brite option available and recommended for direct sunlight environments) Large 7″ high-res (1024×600) touchscreen display for realtime preview, focus, and review. Uncompressed 444 (10-bit) or 422 (8 or 10-bit) recording. MOVĬineForm: Filmscan1, Filmscan2, Keying, High, Medium, Low Stereo headphone jack for audio monitoring VGA display clone for secondary display with interface Realtime HD to SD downconvert for on-set monitoring Simultaneous pass thru of incoming signal for on-set/EVF monitoring Rugged anodized aluminum enclosure and solid-state construction for extreme durabilityīuilt-in wide input DC power: 12-28V via wall adapter or industry standard battery Play out to deck, display, or digital projector. Play back your shots instantly via full-featured VTR-style transport control on-screen Monitor audio via on-board headphone jack and view on-screen display of recording levels, and toggle between audio inputs or listen to a mix of all inputs. Monitor video realtime both on and offboard, and use the on-screen histogram and waveform to expose properly. MOV),CineForm and uncompressed 444 (10-bit) HD or uncompressed 4:2:2 (8 or10-bit) HD (.MOV) onto 2.5″ SSD disk Records all Apple ProRes formats including 4444, all Avid DNxHD formats (MXF or. Records to standard laptop SSD for maximum compatibility/reliability.Ĭinedeck Ex capable recorders capture edit-ready platform agnostic In addition to uncompressed and CineForm, the Cinedeck EX record all flavors of Apple ProRes (including 4444) and Avid DNxHD. The recorder captures edit-ready, 10 bit 4:2:2 and 12 bit 4:4:4 CineForm Digital Intermediates in MOV format via HD-SDI or HDMI. The onscreen edge focus, clipping, histogram and waveforms allow for realtime video monitoring, while the onboard headphone jack lets you either toggle between audio inputs, or listening to a mix or all audio inputs at the same time while by viewing the on-screen recording level display. A touch screen accesses recording settings and playback transport. The 7″ high-res focus/preview/playback monitor and physical button interface provides for all commonly used functions. The Cinedeck EX can be used with HDMI/HD-SDI/LAN cameras and records files in either MOV format through HDMI and single/dual link HD-SDI. ![]()
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